Thorny path of passus duriusculus – performing chromatic, music-related gestures
Cremona 18th Biennial International Conference on Baroque Music
July 10th–15th 2018
In the lecture-part of the concert I pose a question, whether chromaticism could be comprehended, and performed, as a gesture, and thus experienced as a movement in a (musical) landscape. What kind of gestural is there embedded in the chromatic passages?
Cremona 18th Biennial of Baroque Music
Program:
Tarquinio Merula (1595–1665): Canzona Cromatica
Girolamo Frescobaldi (1583–1643): Canzona Terza
Johann Jacob Froberger (1616–1667): Fantasia sopra Sollare
Alessandro Poglietti (?–1683) : Toccatina sopra alla Ribellione, di Ungheria, Galop, Allemande La Prisonnie, Courante Proces, Les Kloches
Girolamo Frescobaldi: Toccata Undecimi
Girolamo Frescobaldi: Così mi disprezzate
Harpsichord, Assi Karttunen