Assi Karttunen

Research, articles

Lecture and concert in Cremona 2018 18th Biennial International Conference on Baroque Music


Thorny path of passus duriusculus – performing chromatic, music-related gestures

Cremona 18th Biennial International Conference on Baroque Music
July 10th–15th 2018

In the lecture-part of the concert I pose a question, whether chromaticism could be comprehended, and performed, as a gesture, and thus experienced as a movement in a (musical) landscape. What kind of gestural is there embedded in the chromatic passages?

Cremona 18th Biennial of Baroque Music

Program:

Tarquinio Merula (1595–1665): Canzona Cromatica

Girolamo Frescobaldi (1583–1643): Canzona Terza

Johann Jacob Froberger (1616–1667): Fantasia sopra Sollare

Alessandro Poglietti (?–1683) : Toccatina sopra alla Ribellione, di Ungheria, Galop, Allemande La Prisonnie, Courante Proces, Les Kloches
Girolamo Frescobaldi: Toccata Undecimi

Girolamo Frescobaldi: Così mi disprezzate

Harpsichord, Assi Karttunen

Kuva Minna Karppanen

Cremona kuva 3 Minna Karppanen otti

  1. Bach ja liha, Bachin Goldberg-variaatiot Suomen musiikintutkimuksen symposiumissa 2019
  2. Peer-reviewed article in RUUKKU 2018 The Aural Garden of sounding materials 2018
  3. Peer-reviewed research article on Couperin's Les Pavots in Musiikki 2016/4
  4. Post Doc research Project Voice, gesture, mien, and movement – the rhetorical actio in a performer´s body (DMus Järviö and DMus Karttunen)
  5. Post Doc research project 2010–2011 The Painting on a Skin
  6. A peer-reviewed research article The rhetorical moaning in Trio research publication 2013
  7. Presented a paper and an experimental demo at AWB conference 2016
  8. Presented a paper in Song, Stage and Screen VIII London 2013
  9. Presented a paper in LONDON SONGART FESTIVAL 2012
  10. Presented a paper 16th Nordic Musicological Congress Stockholm, Sweden
  11. Gave a paper and a demo at CARPA conference 2011, HKI
  12. A lecture concert in Nagoya, Aitchi University 2015
  13. A workshop at the Performance Philosophy Conference, Surrey 2013
  14. Gave a lecture concert at From Known to Unknown festival, Gent
  15. Presented a poster at The Performing Knowledge Conference, Cambridge
  16. Presented a recital lecture at the DiP conference in Dublin 2016
  17. Arts without Borders-conference 2016 Music Centre, abstract
  18. Elysion Fields-working group 2006–2016
  19. Auli Särkiö's article 2015 in Rondo Music Magazine
  20. Article in British Harpsichord Society's Publication 2015
  21. A peer-reviewed research article Rhetorical Obscurité – musician’s historically informed working process
  22. A peer-reviewed research Article in Trio 2016 The music-related gestures of la danse grotesque in Rameau’s Les Sauvages
  23. Can one wade twice into the same Seine? A peer-reviewed research publication 2015
  24. Assi Karttunen: Humanismin perintö ranskalaisessa kantaatissa vuosina 1700-1730

All Essays